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Mix and Scratch: The Turntable Becomes a Musical Instrument, 1975-1978 Tuesday, March 09, 2010 4:00 pm Knight Auditorium, Spurlock Museum 600 South Gregory Street Urbana (View Map)
Mark Katz Music, University of North Carolina Website
This talk takes as its focus the transformation of the turntable from a playback device to a musical instrument during the early years of hip-hop. It will examine landmark innovations in turntable technique – including Grandmaster Flash's development of the clock theory method of mixing records and GrandWizzard Theodore's introduction of needle-dropping and scratching – as well as changes in turntable and mixer technology. In doing so it will offer a framework for understanding the musical and social basis for the turntable's instrumentality and demonstrate how hip-hop went from being a performance practice to a musical genre in its own right.
Additional support: Musicology Division, School of Music
WILL-AM580 FOCUS interview with Mark Katz
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