Using his scores for The Matrix, The Matrix Reloaded and The Matrix Revolutions, composer Don Davis compares stylistic considerations in film music with current trends in symphonic, opera and chamber music composition.

Hosted by Division of Composition Theory, School of Music

In conjunction with: Department of Curriculum and Instruction, Division of Piano, School of Music, Division of Voice, School of Music, Illinois Program for Research in the Humanities, Krannert Center for the Performing Arts, Lorado Taft Fund College of Fine and Applied Arts, Unit for Cinema Studies, Illinois State University College of Fine Arts